home shows works texts next bottom

Current Events

Oh! the trying times in which we live! History stumbles along and historic events relating to Bloore’s story will be, when we notice, remarked upon here.

an Infant of the Spring
at Consignors Auctions
(March 2018)

“When I lived in Paris you could buy a Monet for what would be about $600. Of course, I didn't have even that in those days and it is not my kind of stuff anyway. But I knew they were bloody good paintings.” - R.L.Bloore
Baby Bloore at auction 2018

1972 Baby Bloore at Consignors' March 14th Online Auction

The Estate stopped selling it's few remaining 5 by 7 inch oil sketches in 2012. The last one sold for $3700. And we were immediately asked for another. They do have a strong and curious appeal. How in the world then does this very dirty and neglected little treasure find itself in an online auction like this?

On the back the paints are noted by Bloore for reference, TQDW, Talens Quick Drying White oil paint over CIL enamel primer. It is dated 1971/72 indicating his relative devaluing of time and dates. It may have his name, last name, on the back under the frame backing but maybe not. He insisted that its value should derive solely from the obvious beauty of what is on the front, independant of any potential associations, reputations, institutions.

Baby Bloore at auction 2018

But speaking of associations, reputations and institutions, here is what Kenneth Saltmarche, then Director of the Art Gallery of Windsor, wrote in 1974 in his preface to the catalogue of the exhibition, Ron Bloore: Sixteen Years about the front of his:

“In my house, above a telephone desk, hang two small while panel paintings by Ron Bloore. They were a gift of the artist to my wife a few years ago. So, while I have been engaged in conversations with the gas company, or the bill collector, my eyes have wandered over these tiny pictures, drawing both knowledge and nourishment from them.

“They have helped ease the tedium of the practical matters of daily communication, leavened the day to day business conducted in that place, and led me gradually into a wonderful other world of limitless space and endless time.

“Through such daily contact, I have come to know - really know - the art of R. L. Bloore. Impossible for me to verbalize, its reality and poetry is nonetheless actual. Its impact is of now and of then. Is of Aegean sunlight warming and defining some ancient wall; is of jetstream in a clear sky.”


“Clem Said”
at the Wallace Galleries
(October 2017)

October 12 to the 25th the Wallace Galleries in Calgary AB took an interesting approach to a show, an examination of the works of five of their painters who interacted in one way or another with a single art critic. And the show included Ron Bloore.

at Emma Lake

Ron Bloore at Emma Lake

Clement Greenberg was, like many an art critic, a failed painter. He was a failed landscape painter. And like some critics, he developed his own theory of art which, if it really needs to be said, was intellectually stillborn but became extremely influential nonetheless. That influence reached a turning point around 1962.

1958 to 1962 were tumultuous years in Regina and this was in no small part due to the efforts - successful efforts - of Ron Bloore to nurture a proper flowering of indigenous art production there. In ‘62 he took a two year sabbatical to Greece and Egypt. During his absence Greenberg came to Saskatchewan and Canadian art history took a dramatic turn with Ron Bloore as the pivot point.

It is a story yet to be taken up directly by the author of this site but it is told by Terrence Heath in his essay which is on the site here.


Happy 30th Anninversary to
the Wallace Galleries!
(September 2017)

The Wallace Galleries in Calgary AB celebrated their 30th anniversary this year with an exhibition from Sept. 14 to Oct. 11 featuring all of their significant stable of artists. Fresh new works were the order of the day, and some very old Bloores can appear fresh and new, so we looked for a 30 year old work.

Click to see Larger

July 9 1987, Oil on Masonite, 24 x 36" Click to see larger

And there is one. The estate has only one painting from 1987. And it is stunning and unique. Moreover, the estate has records of just two paintings being done by Bloore that year, in July. They stand like markers between the paintings that went before this transitional year and all the later works. They integrate, in paint, for the first time the dramatic spatial effects Bloore developed in the ink works of ’83 to ’86.

Link to Inkworks

December 15 1984, Ink on Arches paper, 22 x 30" at Wallace Galleries

The other work, finished two days earlier, and now in a private collection, took a more two dimensional approach to the ink works’ compositional style.

Private Collection

July 7 1987, Oil on Masonite, 24 x 30", Private Collection

It’s obvious success seems to have spurred Bloore on to the ink works’ richer spatial effects like evoking a deep and complex background. The ink work examples shown here are currently in the Wallace Gallery stock.

Link to Inkworks

August 8 1983, Ink on Arches paper, 22 x 30" at Wallace Galleries

In celebration of the anniversary and also in response to the outstanding success of last year’s Wallace Gallery exhibition Ronald Bloore: Untitled , two other estate paintings accompanied the 1987 work to Calgary. This 2003 piece is one of the last White-on-White paintings and even includes a small window onto the brown world of the works to come.

Click to see Larger

July 7 2003, Oil on Masonite, 48 x 32" Click to see larger

And finally, and long overdue, the Wallace Gallery now has available one of the last series of Bloore's long career. A major work which was featured in the Ronald Bloore: Fragments of Infinity travelling exhibition put on by the Mackenzie Art Gallery of Regina.

Link to Fragments of Infinity

Yellow Series #7, July 29 2006, Oil on Masonite, 48 x 48" from Fragments

Link to Wallace Website

Yellow Series #7 in the Wallace Galleries 30th Anniversary show


Going... Going... Going... Nowhere!
(March 2017)

Click to see Larger

Painting #9, 1964-5, Oil on Masonite, 24 x 36" Click to see larger

So a familiar piece turned up in Heffel’s March 2017 on line auction. And sadly, it received no bids. It is a great piece of history, radically unique even to this day and a beautiful old painting. But still, no bids.

This White Line Painting of 1965 was first displayed back in the last century by none other than Dorothy Cameron.

DC at the DCG

It is called number 9 and it appears ninth in a column of the Exhibition Catalogue of the show that Cameron traveled to the New Brunswick Museum and the Winnipeg Art Gallery in 1965. Interestingly, the exhibition hung in a commercial gallery in Toronto and in public galleries in the other two cities.

#9 at the DCG

Also on that list is a painting called Byzantium which was auctioned in 2006. And how long ago even that seems now! That painting was given an estimate of $2,000-2,500 back then but it sold to a certain Mr. Thomson, who knows a deal when he sees one, for over $55,000. That story, and an image of the painting is here.

At the DCG

Here, above and below are some of the 2 foot by 2 foot paintings as they hung in the Dorothy Cameron Gallery in Toronto.

At the DCG

There’s a couple more familiar squares here too: the two grids. One sold badly at auction a while back for only $10,000 and the other is shown below selling a couple of years later at the Moore Gallery in 2011 for $40,000. And those are just 2-by-2’s while this current piece is a 2-by-3. The Wallace Galleries in Calgary just sold a 1960 2-by-4 in October ’16 for $71,000.

At the DCG

But these are the vicissitudes of the auction market. Is it a mug's game, as some say? We must say, no. Is life itself a mug's game? We must say, no. What does our art say about that? It must say, no.

HOME SHOWS

Wallace ’16
Wallace ’11
Moore ’11
Mackenzie ’07
Peter Pan 2006-15
Bloore at 80, 2005
Art Company ’03
Winchester ’03
Meridian ’03
Lambton ’02
Not Without Design
Drawings 1960-88
Regina 5 Two, 1981
Here And Now ’62
Win Hedore ’60
WORKS

2006-07
2004-05
2000-03
Nineties
Eighties
Seventies
Late Sixties
Early Sixties
The Beginning
Early Drawing
Mixing Media
Black Inkworks
Larger Inkworks
Studies on Paper
Baby Bloores
Sploores
TEXTS

Canadian Art 1951
Wyers' Folk Art 1960
Wyers Retrospective
Morton Retrospective
Five Interviews ’93
Bloore at Eighty ’88-’05
Peterborough Donation ’88
Bloore Drawings 1960-88
Regina 5 Reunion 1981
Art Criticism 1966
Here And Now 1962
Win Hedore 1960
Not Without Design
Quotations
MISC

CV
FAQ
About
Contact
Introduction
Photo Album
Prospectus
Bloores at Home
Exploring One Page
Sunday Sketches
Current Events
Old Calendar
Collections
TOP