Contents | Past Work | Mid Sixties | Nineties | 2000-03 |
Art Gallery of Peterborough
|
Images in this gallery are viewable in small or large versions. | |||
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
small large |
|
|||
Page 1 Early Drawings |
Page 2, White Paints and Black Inks |
Page 3 Large Inkworks |
Page 4, Collages and Studies |
|
* White Paints and Black InkOn the invitation of Mount Allison University Bloore guest-taught two painting courses in Sackville New Brunswick in 1978. While there he painted on paper. He continued this new mode of painting for a few years and based his major panels of that period on selections from these oil improvisations. Improvising works on paper in one sitting in yet another manner started in May 1980; this time with jet black, Japanese Sumi Ink. The next three years also saw experiments with European inks, diluting the Sumi ink gray, adding gouache colour, and making and using brown Walnut ink. Illi Tamplin discusses these pieces in the exhibition catalogue essay here.
* The Illi-Maria Harff Tamplin Collection of
|