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Overview of the
INK WATER-COLOURS
of 1980 to '87

This Page is Still Under Construction

12 Introductions to Seven Years
of Constant Fruitful Experimentation

   

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These thumbnails link down this page.
Direct links to Series Pages are at the top.


   

Discovery and Invention
The First Watered Ink Works

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To the Inkworks of May '80

4 Small and 4 Large from May 1980

On May 4th 1980, as experiments continued with the green paint, a momentous discovery happened. Bloore washed out one end of an ink line with water. After all, this was Watercolour Paper was it not? He had dabbled with this idea a few months before, notably in the painfully beautiful 802050105, but not this way. Close inspection reveals that in fact the washed out end of the line was lain in extra fine masking tape and reads white there.

First Watered Ink Work

1980 May 4 (802480504) 18x24" 46x61cm, gouache and ink on paper


   

Discovery and Integration
Blue Watered Inks, 1980 to 87
Small, Large and Extra Extra Large

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To the Blue Inkworks of '80-'82'

Working with blue 1980 to 1986
Small Works, Large, Extra Large and Extra Extra Large

In the last piece of the preceding series we see a hint of the next, as usual. After the water separates the ink into its constituent colours - the non-sumi inks that is - the blue ink gets absorbed into the paper before the golds. Bloore found that the golds could be pulled away with a paper towel leaving only the blues. He added this trick to his quiver of techniques. In the ensuing years varying amounts of blue would appear in the drawings.

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1982 September 16, ink on paper, 22x30" 58x77cm (840114b)


   

Home-made Walnut Ink
Golden Browns

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To the Blue Inkworks of '80-'82'

Small Works from September 1980 and late 1982

In the last piece of the preceding series we see a hint of the next, as usual. After the water separates the ink into its constituent colours - the non-sumi inks that is - the blue ink gets absorbed into the paper before the golds. Bloore found that the golds could be pulled away with a paper towel leaving only the blues. He added this trick to his quiver of techniques. In the ensuing years varying amounts of blue would appear in the drawings.

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1982 June 6, ink on paper, 18x24" 46x61cm (822040606)


   

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December 2005 Untitled No.41 (242411228), 48x48" 122x122cm, oil on masonite
permanent collection Art Gallery of Peterborough


   

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February 2005 Untitled No.43 (252430207), 48x48" 122x122cm, oil on masonite
Private Collection


   

The Leaf Series
A Culmination of Composition
Large and Extra Large

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To the Leaf Series of '85-'86'

Developing a Single Motif

In the last piece of the preceding series we see a hint of the next, as usual. After the water separates the ink into its constituent colours - the non-sumi inks that is - the blue ink gets absorbed into the paper before the golds. Bloore found that the golds could be pulled away with a paper towel leaving only the blues. He added this trick to his quiver of techniques. In the ensuing years varying amounts of blue would appear in the drawings.

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1985 September 8, ink on paper, 29x40" 78x105cm (851220908)


   

Ink Works
overview page

← gouaches / Top / collages →

WORKS PERIOD PAGES

Before ’64 Early Days
1964 to ’74 White on White
1975 to ’87 Back to Toronto
1987 to ’99 Synthesis
2000 to ’07 Anti-synthesis

MODE OVERVIEWS

Works on Paper
Small Maquettes
Black Works
Works With Colour
Sploore Sculptures

MISCELLANEOUS

Sunday Sketches
1975-76 Sketches
Working Drawings
Oil Working Drawings
SERIES PAGES

’54 TO ’64
pre-’58 abstracts
58-59 enamels
59-60 relief
60-61 signs
61-62 mandalas
62-63 white lines
60-63 others
59-63 drawings

’64 TO ’74
64-66 after Egypt
67-68 murals
67-70 after Regina
70-74 after Cape Dorset
67-74 maquettes
64-68 drawings
70-72 sploores
SERIES PAGES

’75 TO ’87
75-76 byzantine lights
77-80 Sackvilles
79-83 stick relief
83-84 chasubles
80-84 stick chasubles
85-86 assemblages

78-79 Sackvilles on paper
1980 mixed media on paper
80-83 sumi ink on paper
80-81 gouaches on paper
1982 chasuble sketches
85-86 template drawings
1987 paper collages

80-83 small inkworks
80-81 large inkworks
80-83 very large inkworks
80-81 extra large inkworks
SERIES PAGES

’87 TO ’99
87-88 the X's
88-90 grand diptyches
91-93 squares continue
93-94 4-by-4's continue
1994 inkworks on paper
94-97 white white gold
97-98 brushed lines
98-99 News Series I

2000 TO ’07
2000 New Series II
01-02 move to Spadina
2003 back on the horse
2004 late series begin
04-05 back to the square
05-06 an old man's style
06-07 the Yellow Series
2007 the Last Series
TOP